Turning the Lens on Ourselves

It is clear in natural aesthetics that our senses move us in our world view and our perspectives, but in what direction must be guided in some sense towards the reality of nature. With this understanding and with respect to nature, it is so important for many authors such as Carlson (1891) and Rolston (2002) for this experience to be positioned within a scientific lens and scientific appreciation. But not all experiences are going to be pleasant in nature and therefore aesthetics differs so distinctly from our hedonistic pursuit of pleasure, indeed at times it can induce experiences of terror, disgust and ugliness (Brady 1998). (keep reading)

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A Cognitive Approach to Natural Aesthetic Experiences

One might consider however, that such a view must be directed in some way. Left to their own devices there would be no guarantee that those experiencing nature on its own terms, nor that they would see nature as it really is from a scientific perspective. Rolston III (1998) provides some insight here where he says in reference to the aesthetics of forests, though it easily applies to all natural aesthetics, “One must be moved, but one needs to be moved in the right direction, where "right" means with appropriate appreciation of what is actually going on.” –where “right” simply means towards an appropriate appreciation of nature on its own terms. (keep reading)

Why Aesthetics Matters for Environmentalism

Why should we care about making appropriate aesthetic judgements? There are two answers to this question, the first is obvious: Carlson (1981) says “By aesthetically appreciating nature for what it is, we will shape our ethical views such that there is the best opportunity for making sound ethical judgements regarding matters of environment and ecological concern” a very clear and concise point. Aesthetics has in modern times been argued to represent the way humans perceive the world around them – specifically focusing on the relationship between aesthetic object and the human perceiver more so then any focus on the formal properties of the object which consumed a great deal of the conversation about aesthetics. (Keep Reading)